A young bride moves into her husband's family and tries to modernize their lifestyle. Her plans, though, often get discouraged by her mother-in-law, a conservative lady who stresses traditional values. But the bride's father-in-law who understands the charms of her daughter-in-law's modern lifestyle, helps her to get what she wants. Eventually, they become one happy family living a modern lifestyle.

A young bride moves into her husband's family and tries to modernize their lifestyle. Her plans, though, often get discouraged by her mother-in-law, a conservative lady who stresses traditional values. But the bride's father-in-law who understands the charms of her daughter-in-law's modern lifestyle, helps her to get what she wants. Eventually, they become one happy family living a modern lifestyle.

Short film.

Short film.

What started off as a whirlwind romance takes an unexpected turn when Mark discovers his beautiful bride-to-be is plotting against him. In cahoots with an old school buddy, they hatch a plan to take half of Mark’s £20 million fortune and use it for their own happy ending. What they don’t realize is that Mark is one step ahead of them.

Follows two career thieves whose relationship spans the course of three big jobs.

A hit man, a gang rape, an all-white hip hop crew, ultra hot teenage pregnancy, helpful instructional videos taught by puppets, erotic man wrestling, Chuck Norris, and some hard hitting bass. Nothing gets people's respect more than some hard hitting bass. Before this is over we are going to unveil the major weapon in the ongoing battle waged by Hollywood to legitimize hard-core gay pornography. Seriously.

Primer Amor, A 1000 X Hora was a Mexican telenovela, which was produced by and broadcast on Televisa in 2000 and in Brazil in 2003. It is a remake of another Televisa telenovela titled Quinceañera. The 2 main characters were played by teen heart throb Kuno Becker and young Anahí. Both are also known for their musical talents. This teen-oriented soap was one of the highest-rated in its time-slot.

Two sound artists play and listen into the large hole of the Garzweiler open-cast mine as a self-experiment. The camera observes the conflict at the hole, looks and listens into it. All attempts to alleviate or stop the wounding of the landscape seem fragile, helpless and perhaps even futile.